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Be What Love Is
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Be What Love Is
Ellie Malouff
Copyright © 2018 Ellie Malouff
All rights reserved. This book or any portion thereof may not be reproduced or used in any manner whatsoever without the express written permission of the publisher except for the use of brief quotations in a book review.
Printed in the United States of America
First Printing, 2018
ISBN-13: 978-1-949269-02-4 (eBook)
ISBN-13: 978-1-949269-03-1 (print)
Persephone Publishing LLC
P.O. Box 270684
Louisville, CO 80027
For my grandparents
Contents
1. England
2. The End of The Beginning
3. Ashes to Ashes
4. Before It's Gone
5. The Lion
6. Strike a Match
7. Handshakes
8. Puddles
9. Red
10. Ghosts
11. Who You Are
12. Sense
13. Turning Point
14. Family
15. Gavin
16. Breaking Dishes
17. Give In
18. Ballerina
19. Anna
20. Willed or Not
21. London
22. Renascent
23. Promises
24. Unhappy Endings
25. Work
26. Home
Epilogue
Thank you for reading!
Acknowledgments
About the Author
Also by Ellie Malouff
Pull At My Heart Sample
Chapter One
England
Reid
Red or gold?
My entire livelihood could hang in the balance of this one simple choice. How will the Collins Group see me as I make my pitch? Sharp? Powerful? Trustworthy? All of the above? That’s what I’m aiming for. Normally, I wouldn’t put much stock into the color of a tie but today I will. There isn’t any detail too small to fret over.
If I remember correctly, red symbolizes passion. It’s an intriguing option. I want the Collins Group to know that I’m passionate about their business and about their investments. But gold symbolizes wealth. And isn’t that what this is all about? Gold might make all the difference when it comes to investing millions of their pounds through our firm, Montgomery & Lewis.
My hand squeezes around gold instinctively. Gold is good. Gold is safe. Gold has been the right choice ever since Trevor bailed me out of an Australian jail cell. All I had going for me was a busted lip, a surfboard, and a punk-ass attitude. He took me under his wing all those years ago and now he’s letting me fly with this Collins Group deal. I hope to God I don’t crash and burn.
Gold it is.
I pull off the towel that’s been hanging loosely around my waist and put on my lucky Armani suit. I’m not taking chances today.
My freshly shined shoes gleam against the glass staircase as I step down to the first floor of my penthouse. One quick glance outside and I see that the weather is fucking miserable, even for London. Summertime, my arse. I tap out a quick text to my associate Victoria, letting her know I’m on my way.
Just in time, the intercom chimes. My driver is waiting in the garage. I grab my briefcase off the foyer table and go to press the call button on the lift but stop short when my phone vibrates. It’s Trevor but not his mobile. The call’s coming from Canterwood Manor, the home he shares with his wife, my Aunt Anna, all the way out in Wells. I bite the inside of my cheek. Trevor’s got to be on his way to the office by now. There’s no way he’d miss this meeting with the Collins Group, even if his life depended on it. That can only mean one thing.
“Good morning, Anna. What can I do for you?” I answer and press the call button on the lift. The doors open at once.
The caller clears his throat and in a Scottish accent asks, “Mr. Lewis?”
I stand, motionless, as the lift waits for me. “Yes?”
“It’s me, sir. Mr. McHenry from your aunt’s estate.”
“Yes, of course, Mr. McHenry. What is it?”
“It’s Mr. and Mrs. Montgomery, sir.”
Panic spreads through my chest. I drop the formality. “What is it, Hamish?”
“They’re gone, Reid. Trevor and Anna are dead.”
One word explodes in my head and brings me to my knees, hard against the tile floor. Alone. All of my family is gone. I’m entirely on my own.
Cara
“Non-fat cinnamon dolce latte!” I holler over the steamer to the pack of customers circling like sharks at the smell of blood. I slip the cup into a sleeve and hand it over to the largest shark in the pack. He’s gigantic with a shaved head and neck tats. The only ink I have are some smudges from the matte paperback I was reading on my break. It’s one of the many reasons I have a soft spot in my heart for hardbound books, especially in this humidity.
The guy swipes it off the counter and pushes through the yoga moms and men in skinny ties like he’s in some biker bar. They all look up from their phones, stunned. Even I’m shaken and offer a less than compelling, “Come again.”
Freddie slides beside me at the espresso machine. “How are they?”
“Rabid,” I answer as I untie my apron like I’m breaking free from a straitjacket underwater.
“Flee my darling, while you still can,” he says and grabs for the next marked-up cup.
I don’t even say goodbye—he’ll forgive me for it—and dart into the back room to clock out. I sling my unreasonably heavy backpack over my shoulder and am out on the street unlocking my bike in less than a minute. It’s not that I don’t like work, I do. But it’s a gorgeous day in San Diego, and I’m caught up on all on my graduate program work. The weekend is mine, and the possibilities are endless. As I leisurely ride to the apartment I share with my best friend Julie, I make a mental list of all the things I want to do. Hit up the new taqueria I’ve got that coupon for. Play pick-up volleyball at Mission Beach. Ride over to my favorite used bookstore and dig through their free bin. It’s been at least two weeks since I’ve been there and I’ve shaved off at least three books from my mountain since then. I’m due for some more freebies.
When I get home, Julie’s doing the dishes and singing along to a Rihanna song we both love. I change into some weathered flip-flops that I keep near the door and toss my sunglasses on the kitchen counter.
“Heyyyy,” I sing, weaving into the song.
“Hey, baby girl,” Julie says as she dries off the best skillet we own.
I grab a handful of grapes out of the fridge and start going through the mail that’s been piling up. Between takeout menus and junk flyers, there’s a pamphlet from the Fitzwilliam Library. It’s the second one I’ve received. My breath goes short while I let myself imagine interning there for a full five seconds. When my five seconds are up, I toss it, along with everything else, into the recycling bin. My brush with the Fitzwilliam Library is over.
Another Rhianna song comes on, and we both sing way too loud and off-key as we dance around the kitchen. It’s just what we do. No shame, no embarrassment.
After our performance, my phone starts ringing in my bag. When I pull it out and see who’s calling, I end up doing a double take. The unusual string of numbers starts with a distinct 44. England.
Could it be him?
It’s my first thought, and the question comes from somewhere deep within me, a place where hope for an answer was squashed long ago. Those double fours resurfaced it faster than I can even process. Because the truth is, my father—a man I’ve never met and don’t even know the identity of—most likely lives in England.
It can’t be my father. It would never be him. I convince myself
quickly. My mom made sure of it.
And then I think of my grandfather, the man who helped raise me when I was young, and true worry strikes. I’m struck with a terrible feeling.
“Something wrong?” Julie asks as I hold the phone in my hands, hesitating.
“I don’t know. Maybe.”
I was born near Wells, England and spent my first seven years living under my grandfather’s roof, before my mom and I moved to California. We haven’t been back since. What’s worse is that we haven’t seen or spoken to her father in all that time. Nearly twenty years. Panic roots itself right into the center of my chest and I can’t get enough oxygen from my short and shallow breaths.
“Are you going to answer it?” Julie asks.
Instead of responding to her, I swipe across my phone to answer the call before I lose it to voicemail.
“Hello?” I sound seven years old again.
“Hello, may I speak to Miss Cara Montgomery?” an Englishman asks. He doesn’t sound like my grandfather. At least not the way I remember him.
“Speaking,” I croak out.
“My name is Thomas Leeds. I’m a solicitor for Trevor Montgomery, your grandfather.”
“Hi,” I respond, not sure what I’m about to hear, but feeling dread right down to my toes. I take a seat on the raggedy futon we’ve had since undergrad and pull in the deepest breath I can manage.
He starts to speak and words like regret, Trevor, Anna, car accident, and funeral pop out.
My bottom lip begins to tremble and my sight clouds over.
“You are one of the beneficiaries of their estate, Miss Montgomery.”
“What is it?” Julie whispers. I hadn’t even noticed that she’s sitting next to me with her arm around my shoulders.
I shake my head in response.
Mr. Leeds goes on. “Your grandfather was well prepared and organized. He insisted that if you return to England for his funeral your travel expenses are to be covered, and the same goes for any travel companions. It was his hope that you would return.”
“Okay,” I say, too stunned to come up with something more intelligent or concrete.
He goes on with more details about the arrangements, and then ends with, “My assistant will be in touch for the travel arrangements. My deepest condolences.”
The phone goes silent, and I drop it on my lap.
“What’s wrong?” Julie asks.
“It’s my grandfather. He died in a car accident, with Anna, his wife.” I struggle over that last word. It’s strange to say it out loud.
A hard pit forms in my stomach. It feels a lot like regret. My mom and I should have spoken to him. I should have done so, even if I didn’t have her blessing. Now I never can.
I know a sob is coming and I try to keep it together, but I’m not sure why. Julie has seen me sob like a blubbering fool while binge watching Grey’s Anatomy.
“Oh no,” Julie says and wraps me in her arms. She knows the whole unfortunate tale—how after my grandmother died, my mom found out her dad had been having an affair with Anna for years. How we left and never looked back.
“Do you think your mom knows that he died? I’m surprised you found out from a stranger,” she remarks.
She’s got a good point. Please, Lord, I hope I’m not the one who has to tell my mom that her father is dead. We have worked so hard to sweep away our past that the idea of lifting up our very lumpy rug scares the shit out of me. Twenty-six is too young to deal with this. “I don’t know. I’ll have to call her.”
“Did you get along with your grandfather before all the drama happened?” Julie asks.
I nibble on my trembling lip while I think about how to answer that question. My grandfather could be so prim and proper, but he was playful with me. He always made me laugh, and he always told me that he loved me before bed. He sparked my love of books, reading to me all the time from his library of classics. He’s probably the reason why I’m pursuing a masters in library science. He used to call me his little ballerina, a nickname that I haven’t thought about in years. I cried so hard the day we drove away from him, and I’ve never been as sad as I was when my mom told me we would never go back.
Until now.
The sob I’ve been holding finally comes, and it’s ugly. I melt into Julie’s arms. She lets me cry there for God knows how long.
* * *
There are some things I remember really well about living in England, like how apologetic people are, how every meal comes with peas, and how everyone is obsessed with the weather. I’m reminded of this last tidbit on the drive from London to Wells because it’s the primary topic of conversation we’ve been having with our driver through the fog of our exhaustion.
Let’s just say it’s been a long journey since I got the phone call. In two days’ time, Julie and I have gone from San Diego to New York to London in a blur of airport soft pretzels, horrifying turbulence over Greenland, and managing stiff neck pillows as we tried to get any form of sleep.
But all of that air travel feels like warp speed compared to this dreadfully long two-hour car ride. For the past hour, I’ve been keeping myself busy by fiddling with the leggings I’m wearing beneath a pale pink jersey dress, pulling it away from my knee and letting it snap back in place.
Just as I pull the fabric away from my leg again, Julie takes hold of my hand. “Cara, stop. That’s driving me crazy.”
The driver looks back in the rearview mirror and winks at her, clearly happy she said something about it.
“Sorry. I’m just really nervous. What if I’m not welcome?”
“It will be fine.” Ah, Julie. Ever the optimist.
“Well, my mom wasn’t exactly Anna’s biggest fan, I’m not sure her family is going to welcome me with open arms.”
“You never met them?”
“No, never.”
Julie’s confidence fades, and she takes hold of my hand. “Okay, you’re right, that is a little scary, but I’ve got you. We’ll get through this.”
“I’m glad you came with me, cause I’m not sure I could do this alone. I know it’s not easy for you to take time off from work.”
“Hey, I’ve always got your back, you know that. But I am sorry that your mom couldn’t come.”
“Wouldn’t come,” I correct her.
Julie opens her mouth to respond but gets distracted when we exit off the highway. Oh boy, here we go. My stomach tightens as we pass through the town of Wells. Shops and pubs I totally forgot existed ignite fuzzy memories from when I was little, but the town’s Cathedral sharpens the edges as I remember attending services there, the last being my grandmother’s funeral. I suppose I’ll be back there soon enough for another funeral. The notion is devastating, but I hold my shit together the best that I can. Mostly for the sake of our driver. And Julie. And whoever might be on the receiving end of our arrival.
After weaving through town, we venture back into the country on a narrow two-lane road. The car slows, and I know we’re close. When we take a right turn, I squeeze Julie’s hand. She squeezes back as we ascend up a long winding drive.
As the house comes into view, Julie drops my hand and leans forward. “Cara,” she blurts out.
Canterwood Manor is just as I remember, only aged with time. The buff-colored sandstone is a little more washed out, and the casement windows are a little dimmer, but the house, which was originally built in the 18th century, and renovated countless times since then, still stands strong.
Julie’s jaw is practically in her lap. Even I’m a bit in awe as if it’s my first time. It is for lack of a better word stately, with a large footprint, three towering stories, and sharp cathedral spires. It massively dwarfs the tiny studio apartment that my mom and I moved into when we left England.
We drive past an impeccably manicured lawn, then wind around an old sleepy pond that ripples with each movement of the Queen’s twin swans that call it home. The gravel driveway crunches beneath our tires as we veer toward the side entrance to the h
ouse.
When I spot the cars parked along the roundabout, my palms start sweating. I’m about to come face-to-face with my past, and I’m terrified.
Julie turns to me and narrows her eyes. “You have so much explaining to do. Look at this place. It’s like Pemberley.”
“I know,” I barely get out. My mouth is uncomfortably dry.
The driver hops out to get our bags and Julie follows with a kind of enthusiasm that kids have when their parents park the car at Disneyland. On the other hand, I stay put, because I’m suddenly a little ill.
I have no idea how I’m going to do this. Maybe I don’t have to. I’m sure the driver is going back to London. But as soon as the thought of fleeing pops into my brain, two familiar people emerge from the house. They’ve aged, but I remember them. Even though their names are on the tip of my tongue, a pleasant sensation rushes through my chest. They worked here when I lived here. The woman is a housekeeper and the man sort of manages things, indoors and out. They’re married too.
“McHenry. Mr. and Mrs. McHenry,” I remember and whisper to myself. A huge sense of relief washes through me. Feeling a little silly for being so worried, I pry myself out of the car. How bad could it be? After all, these people had once been like family to me, especially Mrs. McHenry. She was more like a grandmother than my own gran was.
Their faces light up as I approach them.
“Cara?” Mrs. McHenry asks with a Scottish accent and smiles brightly.
“Hi, Mrs. McHenry, right?”